|Where:||Unitarian Fellowship, Poughkeepsie, NY|
|When:||Friday, November 17 @ 7:30pm|
|Tickets:||Members: $25/Non-Members: $30|
There are very few tickets still available. If you would like to purchase yours, please contact firstname.lastname@example.org
If you haven’t heard the music of Molly Tuttle, rest assured, you will.
The newest artist to sign on to the Compass Records roster, she’s the first woman in the 27-year history of the International Bluegrass Music Association (IBMA) Awards to be nominated for Guitar Player of the Year, the only instrumental category that had not yet nominated a woman.
And, more importantly, she won.
In her acceptance speech, she said, “I want to be inspiration to other women to play lead guitar.” Indeed. Like the amazing Sierra Hull, who won for best mandolin player two years in a row — note she beat out THE mandolin player Sam Bush, also up for the same award, these young women are taking bluegrass by storm.
Tuttle was also nominated for Emerging Artist of the Year and Female Vocalist of the Year.
A virtuoso multi-instrumentalist and award winning songwriter with a distinctive voice, Molly Tuttle has turned the heads of even the most seasoned industry professionals. She began performing on stage when she was 11, and recorded her first album, The Old Apple Tree, at age 13. Since then, she’s appeared on A Prairie Home Companion and at Hardly Strictly Bluegrass, was featured on the cover of Flatpicking Guitar Magazine, won first place in the prestigious Chris Austin Songwriting Competition at Merlefest, and, this fall, received a Momentum Award from the International Bluegrass Music Association in the instrumentalist category. Her lovely voice, impeccable guitar playing, and sensitive song writing make her a star on the rise. She has already received more than two million YouTube views and is currently gearing up to release her first solo EP.
Molly Tuttle, blew away the unsuspecting crowd with her rapid fire bluegrass guitar work that would put even the most talented shredders to shame. It was a marvel to see such incredible technical skill combined with a sweet voice and fun, barn-storming songwriting. – Jonah, Write to the Beat
[Molly Tuttle] sings with the gentle authority of Gillian Welch, yet plays astoundingly fleet flat-picking guitar like Chet Atkins on superdrive. -Paul Zollo, American Songwriter Magazine