Review: “Susanville” by Dixie Bee-Liners E-mail
Written by Rich O'Hanley   

A GPS computer voice intones,

“Enter highway. Drive more than 2000 miles.”

And so begins the Dixie Bee-Liners concept album, “Susanville.”  The concept is a road trip, but this isn’t Leon Copas or C.J. McCall telling epic tales of the road.  There aren’t a lot of songs about trucks, or truck stops and diners, or truck stop girls, although there are token songs such as “Truck Stop Baby,” “I Need Eighteen Wheels” and “Trixie’s Diesel-Stop Café.”  The concept is way too high a trajectory for me.  In fairness, there is a tag line of this CD that reads, “Every car on that highway has a story.”  So, maybe it’s just eavesdropping on conversations, laments, internal monologues, rants, etc.  It surely isn’t like National Lampoon Road Trip, either.

Sometimes you listen to a song or an album and it totally knocks you out.  Other times, you’re grateful that you borrowed it and didn’t lay out any hard-earned cash.  This album didn’t initially knock me out.  I was expecting a bluegrass album and although the Dixie Bee-Liners are a solid bluegrass band, this album defies easy categorization.  It’s like a contemporary folk album in the sense that someone like Dave Alvin does folk albums.  This is not a bad thing.  After listening to this several dozen times, it’s clear the band stretches bluegrass, or the use of bluegrass instruments, in the right directions.

“In 100 yards, turn back,” the GPS instructs.

The core band is Brandi Hart, Buddy Woodward, Rachel Renee Johnson, Robin Davis, Jeremy Darrow and Casey Henry. They all have an impressive list of bluegrass credentials. They play and sing well with great arrangements of original songs.  In addition, they are really talented supporting players.
 
Once I stopped trying to figure out the narrative of the ‘concept,’ and just listened, I decided this is a pretty good album. There are a couple of songs, especially “Restless” and “Find Out,” that have made it to my MP3 player.  “Albion Road” is an instrumental that’ll please any bluegrass fan.  “Trixie’s Diesel-Stop Café” evokes a ‘50s era female country singer, complete with pedal steel and Telecaster.  I bet they’d be really good live at venues such as The Towne Crier in Pawling, NY, or Turning Point Music Cafe in Piermont, NY, which don’t stage much bluegrass.




“GPS signal lost” announces the GPS.

In general, I think the arrangements are better than the lyrics, which mostly seem moody and introspective, or downright silly, as though the lyricist was desperately searching for words that rhyme.

On a 1980’s teen television show, American Bandstand, the host, Dick Clark would ask what one of the kids thought of a new song.  Invariably the comment was, “It’s got a good beat. You can dance to it.”  So, ultimately a review is subjective:  play instruments well, ✓+; sing well, ✓+; harmonies,✓+; arrangements, ✓+; original songs, ✓-.

 “Arrive at destination” is the last GPS announcement.
Comments (3)
  • Anon
    it was a nice read and I will definitely be sharing this with others.
  • Pat MacGarvey  - Seriously?
    Geez, talk about damning with faint praise. This guy is clearly an old fogey way out of his comfort zone. Susanville is a great concept (each song is a different person on the highway), the songwriting is brilliant, they are head and shoulders above their contemporaries.
  • Brandi  - Thanks, Pat.
    Well, thanks for sticking up for us, Pat. I'm glad that at least a couple of tracks made it to Rick's iPod. (In fact, he chose some of my favorites.)

    'Susanville' is not the musical equivalent of a novel: It's more like a series of short stories, or vignettes. Each song tells the story of different people along America's highways and byways.

    We don't expect every listener to "get" 'Susanville' on the first go-round. The songs may require some active thought on the listener's part, but in our opinion, that is a main criterion of good art.

    I urge Rick and his readers to spend some time with the the liner notes and music of 'Susanville' in order to come to know the album a little better. I hope they'll come to understand that every single song and linking bit does indeed pertain to the stated theme that 'every car on the highway has a story.'

    We take our lyrics VERY seriously, and some of these songs literally took years to write. Every syllable is carefully thought-out and chosen for a reason. Completing a rhyme scheme is the last thing we care about.

    I hope that active and intelligent listeners out there will take this as a challenge to buy a physical copy of the cd and decide for themselves whether the music and lyrics have substance. Without the liner notes and accompanying map of the songs, a download is not going to give you the full experience -- I can guarantee.

    Sincerely,
    Brandi Hart
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