Review: Rhonda Vincent - Only Me


I was once helping with a satellite feed of the Kruger Brothers early one morning at Merlefest—the local television station was airing live segments from a hill overlooking the festival grounds—and Rhonda Vincent was the next up. The only problem was that her bus driver had gotten lost and wasn’t answering the phone. All the organizers were frantic, which was kind of funny, you know, having lost Rhonda Vincent and all. I noted that I had seen the bus in another parking lot on the way up, and they sent someone off running to set things right.

Review: Lonely Heartstring Band House Concert

Feb 1, 2014, Rhinebeck, NY
Presented by The Hudson Valley Bluegrass Association
Fred Robbins, Videographer


Just over a month has passed since the Haas, Walsh and Marshall house concert was presented by the HVBA in Rhinebeck under Lyn Rosen’s welcoming roof. This weekend she hosted Boston’s Beatle-inspired bluegrass group The Lonely Heartstring Band to an enthusiastic audience on Saturday night.

Review: The Deadly Gentlemen - Roll Me, Tumble Me

Roll Me, Tumble Me is the third album and first major label release by the Deadly Gentlemen. The band’s paradoxical name is apt: they are at once young Turks and seasoned veterans, playing their music with the energy and abandon of rockers, yet executing it with the technical precision of players who are virtuosos at the forefront of their craft. They indeed have the refinement of gentlemen, but their performances are deadly.

Review: Blue Highway - The Game


I think every bluegrass band could take a lesson from Blue Highway, and here’s why I think that is: they put the content, and the storytelling, before everything else. And, frankly, storytelling is what this kind of music, if not every kind of music, is really all about. At least I think so, and clearly Blue Highway does as well.

“It’s a similar formula to what we’ve had in the past,” says Tim Stafford of this new album, titled The Game. “It’s mostly original songs—that’s one of the strengths of the band and it has been from the beginning.”

Review: The Grascals - When I Get My Pay

The Grascals are as capable as any bluegrass band out there these days. They know what they are doing, and they are doing it well. They were the IBMA emerging artists of the year in 2005, they’ve played the Opry, and otherwise spent their time polishing the ensemble and their writing. When I Get My Pay is their 8th studio release, and might well be their best, which is saying something given that all their albums have gained critical notice and places on the charts.

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